
The Four Winds: A Novel
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This program includes a bonus interview with the author.
#1 NEW YORK TIMES BESTSELLER
#1 USA TODAY BESTSELLER
#1 WALL STREET JOURNAL BESTSELLER
#1 INDIE BESTSELLER
"The Four Winds seems eerily prescient in 2021 . . . Its message is galvanizing and hopeful: We are a nation of scrappy survivors. We’ve been in dire straits before; we will be again. Hold your people close.”—The New York Times
"A spectacular tour de force that shines a spotlight on the indispensable but often overlooked role of Greatest Generation women."—People
"Through one woman’s survival during the harsh and haunting Dust Bowl, master storyteller, Kristin Hannah, reminds us that the human heart and our Earth are as tough, yet as fragile, as a change in the wind." —Delia Owens, author of Where the Crawdads Sing
From the number-one bestselling author of The Nightingale and The Great Alone comes a powerful American epic about love and heroism and hope, set during the Great Depression, a time when the country was in crisis and at war with itself, when millions were out of work and even the land seemed to have turned against them.
“My land tells its story if you listen. The story of our family.”
Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on the brink of a new and optimistic era. But for Elsa Wolcott, deemed too old to marry in a time when marriage is a woman’s only option, the future seems bleak. Until the night she meets Rafe Martinelli and decides to change the direction of her life. With her reputation in ruin, there is only one respectable choice: marriage to a man she barely knows.
By 1934, the world has changed; millions are out of work and drought has devastated the Great Plains. Farmers are fighting to keep their land and their livelihoods as crops fail and water dries up and the earth cracks open. Dust storms roll relentlessly across the plains. Everything on the Martinelli farm is dying, including Elsa’s tenuous marriage; each day is a desperate battle against nature and a fight to keep her children alive.
In this uncertain and perilous time, Elsa—like so many of her neighbors—must make an agonizing choice: fight for the land she loves or leave it behind and go west, to California, in search of a better life for her family.
The Four Winds is a rich, sweeping novel that stunningly brings to life the Great Depression and the people who lived through it—the harsh realities that divided us as a nation and the enduring battle between the haves and the have-nots. A testament to hope, resilience, and the strength of the human spirit to survive adversity, The Four Winds is an indelible portrait of America and the American dream, as seen through the eyes of one indomitable woman whose courage and sacrifice will come to define a generation.
A Macmillan Audio production from St. Martin's Press
- Spieldauer15 Stunden und 2 Minuten
- Erscheinungsdatum2. Februar 2021
- SpracheEnglisch
- ASINB0882GFJF6
- VersionUngekürzte Ausgabe
- FormatHörbuch
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Produktinformation
Spieldauer | 15 Stunden und 2 Minuten |
---|---|
Geschrieben von | Kristin Hannah |
Gesprochen von | Julia Whelan |
Whispersync for Voice | Verfügbar |
Audible.de Erscheinungsdatum | 02 Februar 2021 |
Verlag | Macmillan Audio |
Format | Hörbuch |
Version | Ungekürzte Ausgabe |
Sprache | Englisch |
ASIN | B0882GFJF6 |
Amazon Bestseller-Rang | Nr. 9,805 in Audible Hörbücher & Originals (Siehe Top 100 in Audible Hörbücher & Originals) Nr. 205 in Frauenliteratur (Audible Hörbücher & Originals) Nr. 578 in Historische Romane (Audible Hörbücher & Originals) Nr. 1,227 in Genre-Literatur |
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»Books had always been her solace; novels gave her the space to be bold, brave, beautiful, if only in her own imagination.«
This book drew me in, chewed me up and spit me out. If a book really “speaks” to me, I step into it. I stop being a reader and become a silent, helpless bystander, a powerless observer.
Give me a book that’s well-written, serious and empathetic and I’m in trouble.
Elsa lives in Texas during the Great Depression. Cast out by her own parents for “dishonoring” them (by conceiving a child without being married), she is forced to marry her child’s father and live on his family’s farm.
»Elsa had discovered within herself a nearly bottomless capacity for love.«
Against everyone’s expectations - hers not the least - she not only settles in but learns to love her new life. Until the circumstances force her to flee - with now two children and without the father who has left the family - to an uncertain future in California.
»I see one-third of a nation ill-housed, ill-clad, ill-nourished.… The test of our progress is not whether we add more to the abundance of those who have much; it is whether we provide enough for those who have too little. —FRANKLIN D. ROOSEVELT«
We witness how Elsa, her parents-in-law (whom she comes to love more than her birth parents) and her children struggle. This book breathes life into history; almost a hundred years later it makes you see and feel how harsh life must have been.
»A fifty-foot zigzagging crevasse opened in the yard. Dead roots stuck out from the crumbling dirt sides like skeletal hands.«
In fact, the entire first quarter of the book was outright painful for me. Almost overwhelmingly so. “The Four Winds” is so carefully, almost tenderly written, that Elsa’s emotions, her pain, actually reached me. I felt those emotions and the experience was stunning. Especially when things turned from bleak to worse.
I wanted to quit, to drop this book, to get away from all that and just before actually quitting things at least changed. No god, no fate, no destiny, not a light at the end of the tunnel but there is a certain turning point when things start growing instead of declining.
That’s when I realised those horrifying 25 percent had actually been worth it. There is no simple happily-ever-after for anyone in this book. There’s simply no room for that but what we do get - in spite of a somewhat open ending - is closure.
All the terror and horror we’ve witnessed; deep poverty, catastrophe, death, all kinds of loss, it’s all worth it in the end. Elsa lives life as well as she manages to and rises far beyond her own expectations. Having been an observer of that was very, very exhausting but I still feel deeply affected and grateful for the unique experience.
Kristin Hannah whose “Nightingale” I loved and whose “Great Alone” was a great book has managed to write an instant classic. A unique masterpiece that lets you not only experience the Great Depression Era but allows you to draw your own conclusions with respect to even modern economic systems…
And even if you - like me originally - don’t care about the Great Depression (it’s long gone, isn’t it?); this book is worth reading on many levels.
»Courage is fear you ignore.«
“The Four Winds” is easily 2021’s best book and has more than earned its place among my favourite books of all time.
Thank you, Kristin Hannah, for being a literary force of nature.
I didn’t finish, didn’t like it.
Spitzenrezensionen aus anderen Ländern

Am disappointed in her crafted story to promote Communism, wish I hadn’t spent $14.99 to support it.


As we enter a new year with the same pandemic and political strife, so much of this book will open your eyes to the plight of those less fortunate trying to feed their families and make a living in dire times and trying to right wrongs. Sound familiar? It's Heartbreaking that we are fighting for the same BASIC human rights as we did 90+ YEARS AGO!!!
The hardships faced by Elsa are simply relentless. Kristin Hannah wrote a visceral, richly detailed and atmospheric novel that will transport us back to the Dust Bowl and to the migrant settlements in California afterward, This is such a fascinating tale filled with captivating historical detail that gets glossed over in history books, Learning about the "company store" and how American citizens were forced to be basically slaves to these large farmers was eye-opening to me and I felt the desperation and hopelessness these people must have felt because they had nowhere to go and no one to turn to.
By the end of this book, I cried, I raised my fist in the air.. and I also wondered Kristin Hannah has written so many great novels that one can only ponder if she can continue on the winning streak..
Her writing will break you, move you, and heal you -all at once and she offers no regrets only explanations of why, how, and when she decided to choose such subjects to tackle with the upmost of respect, dignity, and courage.
Kristin Hannah began writing this novel over three years ago, before the pandemic, before the skyrocketing unemployment that would follow. And yet, this story is so relevant to our current days, the isolation, dwindling funds, people, as she says in her note at the end, frightened for their future, men in power shushing voices in order to further their own desires, wanting us to pay attention to what they say and not what they really mean or what they show by their actions. Or, as the Wizard of Oz said: ’Pay no attention to that man behind the curtain.’


Elsa knows she’s ugly and not worth loving. Her rich parents and pretty sisters confirm this every day, although Elsa tries hard to be a good daughter and sister. She is so downtrodden, she prefers to spend her days in her room reading romantic novels to escape the unkindness of life. But one day she buys some silky red material on a whim, sews herself a flapper dress and wanders into town. Having been turned away from the jazz club by the doorman who knows her daddy, she bumps into Rafe – a total stranger – gets into his truck with him and lets him make love to her.
When Elsa falls pregnant, she is of course disowned by the family, and daddy leaves her at Rafe’s family farm for them to deal with as they wish.
This is more or less what happens throughout the book. Elsa is faced with many desperate situations, and throughout them all she trudges along, managing things in what to me was a dour, practical manner. I kind of began to understand why the family were glad to see the back of her. And when, at the end of the book, we are faced with a new, strong Elsa risking her life for a point of principle (and suddenly articulate when before she found it hard to tell her children she loved them), it was all too sudden, and too late to develop any real empathy for the woman. As for the supporting cast, including the ‘feisty’ daughter, I found them mostly to be shallow caricatures, being either good to saintly, or perfectly evil. And none of them interesting.
The redeeming aspect of the book was learning more about this dreadful period of American history, and how terribly the dispossessed were treated. For the rest, I won’t be rushing to buy this author again.